I’ve been working with motion control in one form or another since the early 2000s, starting with simple sliders doing timelapse work. I first encountered the Milo in 2011, and ever since then, I’ve been hooked.

My favorite part of this job is that I get to work with incredibly creative people, helping them realize their ideas and vision, and sometimes break new ground and push the boundaries of what’s been done and what is possible.

Some of the work we do is just like magic, and it’s really rewarding to be a part of the process of figuring out how to do the trick.